While other artists have rode his wave to widespread notoriety, Uno has largely stayed to himself, releasing a string of respected mixtapes and cementing himself as an underground legend. Given this, to dub the release of his debut studio album 8 “overdue” would be an understatement.
Read MoreWhether it be in the car or your bluetooth stereo device in your bedroom, it’s certain artists in the game right now that hypnotizes your ears when their music starts to play and Maryland’s hometown hero, Brent Faiyaz is one of the defining artists for this generation.
Read MoreI am definitely not one for outright hate towards the work of just about any artist. Especially if that artist has spent years refining their craft, taking criticism to the jaw, putting their nose to the grindstone, and focused on earning their spot in the industry.
Read MoreErase the jazz you’d find splattered all over Injury Reserve’s previous material and highlight the, well highlight a bunch of things. Start by highlighting Parker’s simplistic chaos. Highlight Ritchie’s new developed aptitude as an MC and Grogg’s storytelling that ages like wine. The list could easily go on. Injury Reserve is the dime you’d find digging through a bunch of low-key records without having a single clue of what you were about to experience. Trying to categorize this thing is virtually impossible.
Read MoreSince the release of his critically-acclaimed 2014 album, Salad Days, Mac Demarco has maintained his position as one of the most recognizable faces in indie music, putting out albums every other year. However, none of them have ever seemed to reach the success of Salad Days; 2015’s Another One EP felt like B-sides of it’s predecessor, while 2017’s This Old Dog did present a somewhat new sonic palette, the project still relied heavily on already established Mac-motifs.
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